An example of some poor quality materials and methods used in framing an original watercolour. The masking tape has been put along the top edge of the paper which is bad practice as it does not allow the paper to move with changes in temperature and humidity. No undermount was used to protect the watercolour from impurities in the backing board, it is also better to hinge the art to the undermount as it allows easy viewing of the work (when removed from the frame) and provides more support.
Masking tape is possibly the worst tape that can be used, it is simply not intended for mounting art. The adhesive will either dry out quickly or it will transform into a horrible sticky mess, possibly with the solvent bleeding through the paper causing serious damage to the art. The mountboard is a poor quality and not suitable for original watercolours.
